Tag Archives: freedom

Roots vs. Wings: How Art Gave Me Both


IMG_5538Art saved me. It has that power. Not that I was in trouble — I wasn’t. I got in enough trouble in my youth, true enough, but it’s not that kind of saving I needed. I needed to be saved from the mundane, to have a outlet and a language in which to express myself. I needed the language I call art.

As I was thinking about my beloved road paintings that I’ve been writing about recently, I got to thinking about “the roads not taken.” We all have plenty of those, I think.

I was brought up in West Michigan, in a wonderful but conservative, Dutch Reformed family that I love with all my heart. But my soul — my soul is Brazilian, like Carmen Miranda at Carnival. (But with much fewer people, because at heart, I get my energy by being alone. You get the idea.) Still, my little soul was not conservative, Dutch Reformed at all.


West Michigan is a great place, because I believe you blossom where you are, but Carmen Miranda isn’t a really a beloved figure here. It is a place that values conformity and following the rules quite a bit. This was always confusing for me. At 16, I broke into tears — I mean a full-on ugly cry. When my mom (and also my favorite person on planet Earth) asked me what was wrong, I sobbed, “I love you and Dad so much, Mom, but I don’t want to grow up to be like you, with kids, church on Sunday and, well, so traditional. It’s just not for me.” My infinitely wise and calm Mom said, “So, don’t. You get to choose. Choose what fits you; choose something different.” I remember all the dramatic wind of my teenage sails falling away and thinking, “I can do that?” Which became, “I can do that!”

But much as I might not like it, that darn Midwestern Dutch DNA was deeply ingrained in who I am, and it reminds me of roads NOT taken. The time I went to Mexico to study art, secretly hoping I would end up moving there, but no, I just couldn’t wrap my mind around not having a steady job and being that far away from my roots. That anxiety that came as part of my DNA package. Couldn’t do it, and worse, I found I didn’t really want to. After my six-week study program was over, I came home.

There was the dream I had to spend a year traveling Europe picking grapes in October and finding odd jobs here and there. My longest trip there was 10 weeks and prepaid; no finding work along the way for me.

There was the invitation to hop on the back of a bike in Ethiopia and travel on that bike to Cape Town with a very handsome man. I wanted to be the type of person that could do that, to sleep under the stars in Africa, but all I could think was black mambas also sleep under those stars and god knows what else — oh, there’s that anxiety again. But I was in Ethiopia. I was there for two months that year and have returned eight times. In that way I have always been true to myself.


So I choose a life my mom has always described as roots and wings. But the roots have never interested me to paint; it is the wings I always turn to. I paint what that road from the back of a bike might have looked like, but I view it from the safety of a truck. In my Goddess of Wine series, I paint the absolute carefree spirit. That series was greatly influenced by Josephine Baker, who just looked so damn celebratory and free of any anxiety. Yes, I want to paint that. My inner Carmen Miranda. I paint from the perspective of being always barefoot with the wind in my hair.


I am so very at peace with who I am and the roads I have taken that have been far greater than I could ever imagine. But in my art — well, there I get to explore any world I wish to create, and then you, my viewer, in turn get to bring your inner world, secret fantasies, roads traveled or not, to my art and let it remind you of whatever it is that makes you smile, whatever floats your boat.

In that way, the art collector gets to have as much fun as the artist herself. Note: I am also a art collector. Art can save you, too, help keep the mundane at bay, even if only as an art owner. Go enjoy art today, go smile at the roads not taken and the roads you have taken. Insert yourself into that piece of art and have a flipping ball. In fact, be the belle of that ball. Own it, my friends, and I’ll keep creating!

Florence, Day 23: Picasso and Being “Painterly”



I stayed in a Florence a extra day to see this exhibit, Picasso at the Palazzo Strozzi. I love Picasso’s work. You either do or you don’t, but in my world, you must, either way, recognize his place in history, his impact. He influenced entire movements in art, and through his innovation, handed out permission slips to others to pave their own way.

So here I am in the land of the Renaissance, and what makes my heart leap? Picasso. Likewise, when I asked my love today which was his favorite piece of art in Florence, he said, “The Picassos,” and I smiled, knowing his point.

I look at all these Renaissance giants and I’m in awe. I cry over the beauty. But my heart has not leapt in sheer joy until Picasso.

I became a painter so I would no longer be bound to the confines of my camera. My camera did not tell (though I know some whose cameras can) how I felt about a place. It did not convey the relationship I had with that moment. In my mind, I never see a stop sign, a power line, or any obstructions to my view. Angels occasionally sigh from the sheer beauty, if only in my mind. My eye captures what I want to see; my camera captured everything.

So for me, the most important part of my art is to be “painterly”; that means that I want to see the paint, feel the hand of the artist. I do not wish to see the artist’s brush disappear. I desire to see it — better yet, feel it.

So after all of the angelic faces, halos and versions of “Madonna and Child” — while I adore these — Picasso was a breath of fresh air.

Two inventions made being painterly possible: the camera and tube paint. Imagine the possibilities. Picasso, though he came after these inventions, also valued being painterly, and this is why his work excited me. He says every painting is not about the subject (nor is it ever finished), but rather, it’s a way to explore what a painting can do. His brush work is strong and fast and without attention to all that detail. It’s not that he was careless, just more interested in the process than tiny brushes would allow.

It was my last day in Florence, and what a perfect way to end it, for the Renaissance paved way for everything that came after. Think of it as the foundation upon which others could build. Jump ahead 400 years or so and you have Picasso yielding his brush as if he were a swordsman. That would not be possible without a strong foundation.

There was also some food that I could indeed write home about as well as some wine from the region and some amazing scenery to round out my “studies.”

Next stop: the Dolomites. It’s been on my hot list for almost 20 years. I’ll let you know if it was worth the wait!


Note: Top three pics are courtesy of the Internet — no cameras allowed at the Picasso exhibit, unfortunately!