Tag Archives: Stephanie Schlatter Art

The Nude in Art

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A 10-minute line drawing from a few weeks ago

I went back to school at 27, starting in photography and soon finding my place further down the hall, where the art of painting was happening.

It became clear early on — and without much thought by me — that when you study art, you have to learn to draw the undraped body. So I signed up and pretty quickly understood every challenge an artist faces is dealt with in life drawing, also called drawing the undraped model.

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A copy of a Rembrandt I did in college

The “undraped” part is important because cloth allows you to lie, to not paint an area you are struggling with. With no draping, you cannot lie. If your measurements are off, perspective is skewed;  if the light’s not right, it’s all very obvious, and this forces you to be better. So I never gave another thought to it. This is what artists do, and it’s helpful. Wow, is it ever helpful.

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Another college throwback: this one, a copy of a Michelangelo

As a student of history, the nude in art has always been present, but in studying art history, you quickly learn each time period had its own feelings and unspoken rules about how exactly this subject should be handled. For example, it has almost always been that your model could not be looking directly at you — that’s too forward, the eyes must be averted. What?

Since my education as an artist started, conversations around the nude in art have been uncomfortable for me. I want the conversation to go away because it’s a genre that is critical to the education of a artist. But it doesn’t go away. And so I will continue to talk about it.

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A study done last summer

Soon, I will be going back to Italy to study, primarily to paint and draw the undraped model. Why? Because every time I do it, I am reminded how it makes me a better artist. And as an artist, I hope never to arrive, but to always be in a state of learning and growing, to be better than I was the week before. And so, I continue my commitment to working from models, undraped. I hope you will come along with me for this learning experience. As I learn, I teach, and I hope you’ll join me on this adventure starting April 15.

For me, this subject of the nude in art is not about arguing the point; it’s about the experience of learning art. It’s just very matter of fact. Of course, it can be argued that you can learn art without this genre, and that is true, but if you’ve studied from life, you probably won’t find yourself arguing against the practice. You will most likely “get it” (though there are exception to every rule).

So what about you? What are your thoughts and feelings about the nude in art? As always, I love your thoughts and feedback. The best conversations can be found on Facebook and Instagram where you I can be found most everyday.

The Women of Art History Hold a Lot of Surprises

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Frida Kahlo

Researching the women of art history was both exciting and deeply disturbing for me. With Women’s History Month about to kick off in a few days and equality across the board in the national and global spotlight, I decided to dig a bit deeper and see what it was like for the women who went before me.
I studied art history in college. I have studied the Florentine Renaissance with none other than the director of the famed Uffizi Gallery’s daughter, a well-respected art historian in her own right. I have pored over books and books on the subject of art history on my own for nearly 20 years, as I love the subject. In another life, I would have loved to be an art historian.
All this is to say: I know my art history, but I had to dig back in my memory pretty hard — assisted by Google — to find a list of 12 women painters. (I stuck to two-dimensional artists, as that is my art form.)
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Joan Mitchell

When I look to the past for guidance, as artists often do. I do not see myself staring back at me. I see a sea of predominantly European men. I often ask the question: “Name five famous female artists.” Very few can do that. That is sad to me. Where were all the women?
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Mary Cassatt

They were there, painting, when they could. Historically, a woman’s life was primarily centered on caring for home and family. Hard to imagine, but even in the late 19th and early 20th centuries, woman were forbidden from the cafés of Europe. To be allowed into a circle of artists or a movement such as Impressionism, a woman needed a man to vouch for her, both among other artists and among the buying public’s perceptions.
Only three women ever made their way into the Impressionist group. And the rules were different for them.
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Artemisia Gentileschi

I also learned in my research that today, in 2017, statistically I make 22 percent less money than my male counterparts, and that potential buyers are more likely to by art from men, and only 30 percent of all artists represented in galleries are women.*
I have no answers for you, my dear reader, only the facts to lay before you, and the invitation to come along with me throughout March as we celebrate some extraordinary woman who, against all odds, did make the history books.
Let us learn, know, and celebrate! Look for this celebration on my Facebook page starting March 1.
As always let’s continue the conversation on Facebook and Instagram. Cheers!