Tag Archives: draw

Why You Should Study Art

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Youth, they say, is wasted on the young. Not always, of course, but the older I get, the more I understand the sentiment. In part, your youth is spent resenting the requirements of school. I, for one, was 27 before I truly enjoyed learning for the first time. I went back to college then, partly to explore the curiosity about learning that was suddenly bubbling up inside me. The feeling of anticipation, sitting on the edge of my seat as my professors would unveil the techniques of art or the stories of art history, is burned in my memory like an old master’s etching.

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The view from my window at La Casa Berti

And so,  I find myself at 43, still on the edge of my seat, still, and even more so, ready to learn.

There are times when I feel so completely disappointed that we get but one life to learn all of the many joys there are in this world. So one must make choices: Do I want to learn a little about a lot, or a lot, about a little?

To a certain extent, each of us makes our compromises in our learning to something in between those two extremes. If you’re really lucky, you’ll learn a lot about something, but keep with you an endless curiosity about everything.

This is where I find myself. At a place in my life that is fully dedicated to art. The unfolding and excavation of all things art. From history to technique — yes, please, sign me up!

With my great need to learn more, I started looking for a place to go, and I landed back in Florence.  Florence, Italy, is the most beautiful blending of so many areas of interest. Somewhere around the mid part of the fifteenth century the Renaissance bloomed. “Renaissance” literally means rebirth, a rebirth of knowledge and learning.  And Florence was the epicenter of this return to the exploration Ancient Greek and Roman ways — philosophy, art and curiosity.

In ancient Greece and Rome art, science, math, and philosophy were being mixed together, each one helping the other to flourish and grow.  In  ancient art we can see this in the use of perspective, scale, and humanism.  Then during the middle ages- for a thousand years it was lost.  During those dark days there was a mass regression.  It wasn’t until the Renaissance that we began to return to what had already been discovered,  and math, science & philosophy joined with art once again.

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Atmosphere of the setting sun on a cloudy night — it was really quite extraordinary.

Now, my thirst for learning has pulled me to this place where some of the greatest artists once worked.  Returning to structure and methods that have been proven over time. Step by step, those before us in the history of art have figured out how it can be done. Sometimes, as artists, our egos can stop us from pursuing the work of past masters, and in those moments we need to learn to step away from it.  A time comes when we need to surrender ourselves to the teachers from our pasts, in order to find our own way, just a bit easier. It is the circle of learning: structure, exploration, reflection.

What holds us back from learning, from pursuing what we love? I am here to tell you that there are steps you can take along a well traveled path to begin your explorations.  Will you take that path?

Will you expose yourself to something new?

Will you boldly go forth and make art?

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Inside the Casa Berti Studio

I hope the answer is yes–if only to learn to see the world from a deeper more meaningful place.  I hope you will come along with me to learn just a bit more about the ways in which artists see the world. How beautiful the world can be when it is seen with profound and sometimes excruciating detail.

As always the best conversations happen on Facebook and Instagram. Have you been following this latest trip and if so what have you learned? Or what trips have you taken that helped to you to learn and grow? Trips where you physically left home or simply took a journey of the mind … I’d love to hear your thoughts.

Learn, Grow, Teach

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A copy from Henry Yan’s book Figure Drawing

The best teachers are also students, and a great student will share what they learn and teach along the way.

That will be my focus as March turns to April. Women’s History Month was a lot of fun; I loved learning more about the women who made art history, and their struggles and triumphs inspired me. It made me think about the importance of giving 200%, and what is possible when you set your sights just a bit higher.

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A copy of an Andrew Wyeth dry brush painting. Doing this study taught me a lot. I think I’ll do more. It was my first attempt at dry brush.

It also got me thinking about sharing art and teaching. The journey of an artist doesn’t seem to have as much meaning unless you’re growing and sharing along the way.

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Le sigh! This book is a must for lovers of landscapes and Turner.

Art books are a personal passion. One of my all time favorites is J.M.W. Turner’s “Painting Set Free.” I could turn its pages endlessly, looking at the way he truly did set painting free in the last fifteen years of his life. For many masters it is the same: In their later years, their art gets looser and freer. The Impressionists are another example of this. Personally, I think this freedom comes from a place of mastery. When you know your craft so well you can seemingly do it in your sleep. When you have so much muscle memory built up from years of honing your skills, then you have great freedom. So it is that I want to be an abstract painter when I grow up, so I’m returning again to the classical world.

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A living master: Henry Yan’s “Figure Drawing” is an incredible teacher and amazing to turn the pages of.

In mid-April, I’ll be heading back to Florence and Tuscany to study from a more classical form. To prepare myself, I’m copying from the masters. Copying? Yes, of course, it is part of any classical training. It is imperative that you say you are copying, and never claim the idea as your own, but copying is learning in the art world. If you go into any of the world’s great museums, you will often find artists copying from the masters. And that is how so many of the masters started their own education. Turner spent time in the National Gallery copying from those who went before him, and so it goes.

You learn from going where those before you went. I’m studying from life as well, attending live sessions with models, as I will be studying from life in Italy. I am preparing to be a good student, and the best way to learn is to teach, so I hope you come along with me on this month of discovery. I plan to be on posting a lot of information for you, so you can learn along with me. Because if I believe anything, it’s that art is for everyone!

What about you? What have you learned that you turned around and taught? I love hearing from you. The best conversations are on Facebook and Instagram, I hope to see you there!

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A copy from Henry Yan’s book Figure Drawing