The magic of Florence is in its art. It is in every way an art (and history) lover’s city — paradise even. Florence is, as the saying goes, for lovers: ART lovers.

What happened in that small town from 1300-1600 in the arts was, and is, astonishing. This is why you go to Florence. Yes, you will find really great food and wine and a beautiful city, but these three things can be found in less touristed Tuscan towns. But the art — ah, the art — is why you put up with the hordes of other tourists. Yes, this is why you go to Florence.*

In my last blog, I covered a few out-of-the-way spots for art and food. There are a few more to add to the list.

In Florence, it is important to remember, unless you’ve bought or rented real estate (and if you do, I’ll come visit; you’ve got a friend in me), you will not see it all. It’s simply mind-blowing how much art is here. Consider, if you will, that much art was lost, forgotten and burned in the bonfires of the vanities, destroyed by the great flood of 1966, and still, an astounding amount remains, enough to fill a lifetime. So, my friends, do not try to see it all, and know everything you do see will be worth it.

My favorite out-of-the-way neighborhood is the Oltrarno; in Italian, this means “other Arno” or “the other side of the Arno.” It’s a pleasure just to wander it with no agenda. This is where all the workshops are, and you can see artisans diligently creating.

You should make a point to visit Santo Spirito church and the Brancacci Chapel. Santo Spirito is a thriving little square, as well as the church where you will find works by Brunelleschi (the church’s designer), Filippino Lippi, Rosselli and other Florentine masters, including a early crucifix by Michelangelo. In general, the church is just a delight to visit. In this neighborhood, you will also find the magical little Brancacci chapel. Some say these Frescos are some of the first — if not the first — Renaissance paintings in Florence. They do beautifully show you what the early Renaissance was all about: humanism, perspective, individuality and real emotion. Masaccio, considered by most the first Renaissance painter, came here to help his master Masolino with the commission. Masaccio out-painted his master and was far better at humanism; the contrast tells a story. Get a guide if possible.

After you have gotten wonderfully lost in the Oltrarno, cross the river to Cantinetta dei Verrazzano on Via dei Tavolini, 18-20r 50122. This place is discovered (as all good restaurants in Florence are discovered), so you won’t be alone, but it’s my favorite way to nurture my tired tourist body and spend a delightful afternoon. There is a deli service, but enjoy the experience of sitting in the restaurant. I first came here on a solo trip in 2005; it was January, and I did virtually have the place to myself. Last fall, I brought my mother; she was enchanted and delighted. And I visited several times on my recent trip, bringing my husband along. We were so enjoying our long lunch here that we missed a epic hail storm on an 80-degree September day that left the city looking like winter. That’s right: We had no idea it had happened until we emerged to find piles and piles of ice. You can lose yourself here, and I suggest you do just that.

As for my must-do sights that you already know about: Yes, go see David; I promise he will take your breath away. No, seeing the — as the Florentines say — “bad copy” in the Piazza Della Signoria is not seeing David. I repeat, this is not the same thing. While you’re there, gazing upon the wonder that is David, don’t forget to notice the fellow admirers who are also gazing; you can sit here for a long time, entertained by the flood of people.

Climb the Duomo. Some say to climb the Campanelli to be able to view the Duomo, and that is lovely too, but if you climb the Duomo itself, you can see the “dome within a dome” construction. Keep in mind, this church stood finished, minus its dome, for 100 years because no one could figure out how to build such a big dome. Brunelleschi came up with this smaller dome within a dome, with a hollow area that you can now walk through. This hollow area created much less weight, making the dome possible. If you’re claustrophobic at all, maybe skip this. Seeing the brickwork and construction, for me, is a great Florentine experience. Climbing the tower of the Palazzo Vecchio is also a thrill. I’m a fan of anytime you can get a up-in-the-air view.

Speaking of up-in-the-air views, the church of San Miniato, just next to the Piazza Michelangelo, is another must-see. Even without its stunning view, the church itself is a pure delight. I visited this precious little church twice. The first time, on a run, I just popped in and my breath was taken away. It’s just priceless. I went back with my art history teacher and heard the stories behind the works of art within — and the work of art that is the church itself — and this jewel gained even more meaning. You could come here just for the commanding view of the city alone, but also come to see this church.

Last but not least, the Piazza Michelangelo, just beside the church of San Miniato You walk up to this piazza for no other reason than the view. Come at sunset, have a seat on the steps (you can’t miss them) and watch the sunset over this astounding city reflecting upon all the treasures it holds and has unfolded to you. Watch the people and your place among them. Breathe in and out: You’re in Florence.

The San Nicolo neighborhood below the Piazza is a great place to grab a bite to eat after the sun has faded into darkness. And I will leave you here with memories or dreams (or both) of Florence. Please leave in the comments below your own reflections, questions or thoughts on Florence, city of dreams.

* A note on the tourists: They are here in Florence, in full force. My strong recommendation is go off-season, after the first week of November until May (but not during Easter week).

Also, do your homework on which sights need reservations and make those reservations. If you do not, your memories of Florence will involve very, very long lines.