Tag Archives: San Miniato

If You Go: Florence, Part 2


View from Piazza Michelangelo

The magic of Florence is in its art. It is in every way an art (and history) lover’s city — paradise even. Florence is, as the saying goes, for lovers: ART lovers.

What happened in that small town from 1300-1600 in the arts was, and is, astonishing. This is why you go to Florence. Yes, you will find really great food and wine and a beautiful city, but these three things can be found in less touristed Tuscan towns. But the art — ah, the art — is why you put up with the hordes of other tourists. Yes, this is why you go to Florence.*

In my last blog, I covered a few out-of-the-way spots for art and food. There are a few more to add to the list.

In Florence, it is important to remember, unless you’ve bought or rented real estate (and if you do, I’ll come visit; you’ve got a friend in me), you will not see it all. It’s simply mind-blowing how much art is here. Consider, if you will, that much art was lost, forgotten and burned in the bonfires of the vanities, destroyed by the great flood of 1966, and still, an astounding amount remains, enough to fill a lifetime. So, my friends, do not try to see it all, and know everything you do see will be worth it.

My favorite out-of-the-way neighborhood is the Oltrarno; in Italian, this means “other Arno” or “the other side of the Arno.” It’s a pleasure just to wander it with no agenda. This is where all the workshops are, and you can see artisans diligently creating.

Oltrarno neighborhood

Oltrarno neighborhood

You should make a point to visit Santo Spirito church and the Brancacci Chapel. Santo Spirito is a thriving little square, as well as the church where you will find works by Brunelleschi (the church’s designer), Filippino Lippi, Rosselli and other Florentine masters, including a early crucifix by Michelangelo. In general, the church is just a delight to visit. In this neighborhood, you will also find the magical little Brancacci chapel. Some say these Frescos are some of the first — if not the first — Renaissance paintings in Florence. They do beautifully show you what the early Renaissance was all about: humanism, perspective, individuality and real emotion. Masaccio, considered by most the first Renaissance painter, came here to help his master Masolino with the commission. Masaccio out-painted his master and was far better at humanism; the contrast tells a story. Get a guide if possible.


Masaccio’s explosion of Adam and Eve from Paradise, found in the Brancacci chapel.

After you have gotten wonderfully lost in the Oltrarno, cross the river to Cantinetta dei Verrazzano on Via dei Tavolini, 18-20r 50122. This place is discovered (as all good restaurants in Florence are discovered), so you won’t be alone, but it’s my favorite way to nurture my tired tourist body and spend a delightful afternoon. There is a deli service, but enjoy the experience of sitting in the restaurant. I first came here on a solo trip in 2005; it was January, and I did virtually have the place to myself. Last fall, I brought my mother; she was enchanted and delighted. And I visited several times on my recent trip, bringing my husband along. We were so enjoying our long lunch here that we missed a epic hail storm on an 80-degree September day that left the city looking like winter. That’s right: We had no idea it had happened until we emerged to find piles and piles of ice. You can lose yourself here, and I suggest you do just that.

Cantinetta dei Verrazzano

Cantinetta dei Verrazzano

As for my must-do sights that you already know about: Yes, go see David; I promise he will take your breath away. No, seeing the — as the Florentines say — “bad copy” in the Piazza Della Signoria is not seeing David. I repeat, this is not the same thing. While you’re there, gazing upon the wonder that is David, don’t forget to notice the fellow admirers who are also gazing; you can sit here for a long time, entertained by the flood of people.


David and the dome built to show him off.

Climb the Duomo. Some say to climb the Campanelli to be able to view the Duomo, and that is lovely too, but if you climb the Duomo itself, you can see the “dome within a dome” construction. Keep in mind, this church stood finished, minus its dome, for 100 years because no one could figure out how to build such a big dome. Brunelleschi came up with this smaller dome within a dome, with a hollow area that you can now walk through. This hollow area created much less weight, making the dome possible. If you’re claustrophobic at all, maybe skip this. Seeing the brickwork and construction, for me, is a great Florentine experience. Climbing the tower of the Palazzo Vecchio is also a thrill. I’m a fan of anytime you can get a up-in-the-air view.

View of the beautiful Duomo from the tower of the Palazzo Vecchio

View of the beautiful Duomo from the tower of the Palazzo Vecchio

Speaking of up-in-the-air views, the church of San Miniato, just next to the Piazza Michelangelo, is another must-see. Even without its stunning view, the church itself is a pure delight. I visited this precious little church twice. The first time, on a run, I just popped in and my breath was taken away. It’s just priceless. I went back with my art history teacher and heard the stories behind the works of art within — and the work of art that is the church itself — and this jewel gained even more meaning. You could come here just for the commanding view of the city alone, but also come to see this church.

View from the Duomo

View from the Duomo

Last but not least, the Piazza Michelangelo, just beside the church of San Miniato You walk up to this piazza for no other reason than the view. Come at sunset, have a seat on the steps (you can’t miss them) and watch the sunset over this astounding city reflecting upon all the treasures it holds and has unfolded to you. Watch the people and your place among them. Breathe in and out: You’re in Florence.

The San Nicolo neighborhood below the Piazza is a great place to grab a bite to eat after the sun has faded into darkness. And I will leave you here with memories or dreams (or both) of Florence. Please leave in the comments below your own reflections, questions or thoughts on Florence, city of dreams.

* A note on the tourists: They are here in Florence, in full force. My strong recommendation is go off-season, after the first week of November until May (but not during Easter week).

Also, do your homework on which sights need reservations and make those reservations. If you do not, your memories of Florence will involve very, very long lines.

Florence, Day 12: David Really is All He’s Cracked Up to Be (And Other Tales from the Accademia)



It is a curse at times to understand English while in a foreign country. I know, I know, it’s a blessing, BUT … in Florence, at times, you hear things that make you want to interrupt and give your opinion. No, my mom always said, only if you’re asked — and not always even then.

The other day before class, I went to the Piazza della Signoria, to the Loggia dei Lanzi (the sculpture gallery), to sketch. It’s kinda like a town square, and VERY crowded. Much English is spoken. A few runaways from a tour group sporting their white tennies (a dead giveaway of their status as Americans, not that anyone’s hiding it) sitting next me is discussing where they will go on their tour.

“Will you go see the David tomorrow?”

The woman replies with total authority: “No, he’s right here in front of me; it’s the same thing.” As if to stress her point she adds, “It’s the exact same thing!”

Meanwhile, nearby, me: NO, NO IT IS NOT! (Yes, I know I’m shouting, but the situation calls for it.)

Michelangelo’s David was originally situated on this Plazza, it is true. Commissioned for the famed Church of Santa Maria del Fiore, the Florentines so loved this work they sat it right in front of their town hall, the Piazzo Vecchio. Today, the work that remains there (by the opinion of the Florentine people) is a bad copy.

Indeed, I can state, “Ain’t nothing like the real thing, baby.” and to assume you have checked him of your list because you saw this replica is missing the entire point of Florence — in fact, the whole point of the Renaissance itself.

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From the Biblical story of David and Goliath, Michelangelo’s version is said to have collided with Hercules. Like David, the Florentine people had conquered neighboring cities — the victorious underdog, now the capital of Tuscany. The Florentine people could relate to this strong, determined David.

In every way, the Renaissance is about humanism. Man as a reflection of God, created in his image, to be honored as a creation of God and each individual with his/her own feelings and emotions to be honored. In this way, David is a supreme example of humanism and, therefore, the Renaissance.

Still, I did not share this with the American tourists, knowing they would go home with a grand experience of Italy and never second guess their decision. Still, from me to you: Go and see him. He does not disappoint.

Today, after a morning spent blissfully painting. I meet Benedetta for our class and the Accademia was our classroom. I think sweet Benedetta sensed my exhaustion after the long visit at the Accademia. It’s all so much. Indeed, all wonderful, all my passion, all I want to learn, but my head is like boiling water by this point, spilling over the pot. It’s just so much grand, glorious information.

So she asked, “You want to be more outside?” Um, yes, yes, I think I need more sunlight and less of the inside of a building, no matter how much light radiates from those glorious works of art.

So she took me across the city and up, up, to the precious little church of San Miniato above the Piazza Michelangelo. I discovered it my first morning here on a half run, half exploration of the city.

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Benedetta confides she’d like to be married here (no doubt she’ll make a stunning bride when it happens), and as if on cue, a wedding was in fact happening as we arrived. On a Thursday? “Yes,” she says with a shrug, “it’s September.”

The church shines like a jewel above the city, a precious little jewel right from the 11th Century, with a facade from the 12th Century, a glittering gold mosaic from the 13th Century, a nave and tabernacle inside that’s a tribute to all things Renaissance. It was a true treat, and the wedding was, well, icing on the cake. (I warned Benedetta that if she gets her wedding in this prized location to think of me as tourist, quietly mingling about during the ceremony.) And the view from here — sigh, just spectacular. A good call by those men who built this when nothing else was there.

A quick view over this exquisite city from the Piazza Michelangelo and we parted ways: me off to my favorite food spot, the Pizzicheria Antonio Porrati, for an after school snack and reflection on the day. But it’s really early evening, and so it becomes dinner. Afterward, I retire to my apartment to put my feet up and relax. All this learning is hard work!

May the sun always shine on the curious, and night fall heavy for that much-needed rest.