Tag Archives: famous art

What’s the Big Deal? The Story of the Most Famous Painting in the World


The year is 2001; the backdrop, a college art history class. I’m on the edge of my chair. My professor is talking about the Mona Lisa, perhaps the world’s most famous painting.

It is here that we can pause and consider why the story of art is as important as the image itself. When Leonardo painted this portrait, portraits were largely commissioned to show one’s wealth and position, as in Ghirlandaio’s portrait of Giovanna Tornabuoni. Notice that Giovanna is not facing us; she is certainly not looking right into our eyes as the Mona Lisa is. The backdrop is indoors, featuring her jewelry (highlighting her wealth) and a book (signifying that she is educated), as well as a quote from the ancient Roman poet Martial (to show that she’s cultured).

So Mona was a first in many ways. It is the firsts that show up in art history. Mona is not only looking right at us, boldly, but she is in simple clothes, outside (gasp!) and there is nothing that tells of her position. Instead, Leonardo focuses on the person. Though there is some debate as to who this person is, she is widely believed to be Maria Gherardini, the wife of a wealthy Florentine. Yet, all we see is the person.

Leonardo also used lights and darks to create a more dramatic effect (chiaroscuro) and invented sfumato, a misty haziness. This is believed to be the reason we cannot tell where Mona is looking and whether she is smiling. Leonardo was said to have loved the painting so much that he never gave it to the patron and it was found among his possessions when he died.

To me, these things made this very familiar painting come alive. Now I see what the “big deal” is and why she is so famous. Doing what everyone else was doing never landed anyone in a art history book. It’s a good reminder for all of us to think outside the box. and also, an inspiration to learn the background of art. Artists are always responding to their life and times. It’s why I disagree with those who say that art should speak for itself and not need an explanation. It is in the explanation that we learn what an artist is thinking of, what they are responding to.

It is why for me, personally, as a landscape painter, that I want to learn as much about my subject as possible before I paint it. The story is the meaning as much as your response to the art is. Then you can bring your own story to a work of art. What does it make you feel?

As always, I love to hear from you. Do you have a story of a great work of art that moves you? What’s your story?

Let’s keep the conversation going on Facebook and Instagram where you can find me checking in on most days.


Florence, Day 12: David Really is All He’s Cracked Up to Be (And Other Tales from the Accademia)



It is a curse at times to understand English while in a foreign country. I know, I know, it’s a blessing, BUT … in Florence, at times, you hear things that make you want to interrupt and give your opinion. No, my mom always said, only if you’re asked — and not always even then.

The other day before class, I went to the Piazza della Signoria, to the Loggia dei Lanzi (the sculpture gallery), to sketch. It’s kinda like a town square, and VERY crowded. Much English is spoken. A few runaways from a tour group sporting their white tennies (a dead giveaway of their status as Americans, not that anyone’s hiding it) sitting next me is discussing where they will go on their tour.

“Will you go see the David tomorrow?”

The woman replies with total authority: “No, he’s right here in front of me; it’s the same thing.” As if to stress her point she adds, “It’s the exact same thing!”

Meanwhile, nearby, me: NO, NO IT IS NOT! (Yes, I know I’m shouting, but the situation calls for it.)

Michelangelo’s David was originally situated on this Plazza, it is true. Commissioned for the famed Church of Santa Maria del Fiore, the Florentines so loved this work they sat it right in front of their town hall, the Piazzo Vecchio. Today, the work that remains there (by the opinion of the Florentine people) is a bad copy.

Indeed, I can state, “Ain’t nothing like the real thing, baby.” and to assume you have checked him of your list because you saw this replica is missing the entire point of Florence — in fact, the whole point of the Renaissance itself.

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From the Biblical story of David and Goliath, Michelangelo’s version is said to have collided with Hercules. Like David, the Florentine people had conquered neighboring cities — the victorious underdog, now the capital of Tuscany. The Florentine people could relate to this strong, determined David.

In every way, the Renaissance is about humanism. Man as a reflection of God, created in his image, to be honored as a creation of God and each individual with his/her own feelings and emotions to be honored. In this way, David is a supreme example of humanism and, therefore, the Renaissance.

Still, I did not share this with the American tourists, knowing they would go home with a grand experience of Italy and never second guess their decision. Still, from me to you: Go and see him. He does not disappoint.

Today, after a morning spent blissfully painting. I meet Benedetta for our class and the Accademia was our classroom. I think sweet Benedetta sensed my exhaustion after the long visit at the Accademia. It’s all so much. Indeed, all wonderful, all my passion, all I want to learn, but my head is like boiling water by this point, spilling over the pot. It’s just so much grand, glorious information.

So she asked, “You want to be more outside?” Um, yes, yes, I think I need more sunlight and less of the inside of a building, no matter how much light radiates from those glorious works of art.

So she took me across the city and up, up, to the precious little church of San Miniato above the Piazza Michelangelo. I discovered it my first morning here on a half run, half exploration of the city.

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Benedetta confides she’d like to be married here (no doubt she’ll make a stunning bride when it happens), and as if on cue, a wedding was in fact happening as we arrived. On a Thursday? “Yes,” she says with a shrug, “it’s September.”

The church shines like a jewel above the city, a precious little jewel right from the 11th Century, with a facade from the 12th Century, a glittering gold mosaic from the 13th Century, a nave and tabernacle inside that’s a tribute to all things Renaissance. It was a true treat, and the wedding was, well, icing on the cake. (I warned Benedetta that if she gets her wedding in this prized location to think of me as tourist, quietly mingling about during the ceremony.) And the view from here — sigh, just spectacular. A good call by those men who built this when nothing else was there.

A quick view over this exquisite city from the Piazza Michelangelo and we parted ways: me off to my favorite food spot, the Pizzicheria Antonio Porrati, for an after school snack and reflection on the day. But it’s really early evening, and so it becomes dinner. Afterward, I retire to my apartment to put my feet up and relax. All this learning is hard work!

May the sun always shine on the curious, and night fall heavy for that much-needed rest.