Tag Archives: growing

Five Ways to Make Your Next Painting Stronger

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What happens when you take a break from routine to go back to school, if even for a short time? Learning and growing, then turning around and teaching it — it’s a metaphor for life, and certainly for art.

I spent the last two weeks — joyfully and gleefully and sometimes frustratingly — learning. Robert Burridge, Sterling Edwards and, most recently, Don Andrews, have been some of my mentors and teachers. (Google them — you’re bound to be thrilled and delighted by their incredible talent.) There have been many more teachers and fellow artists who I’ve learned from through the years, and through all of these experiences and encounters, I have found many universal truths.

These things really make a difference in my own work, and they keep coming up. I hope by sharing them, they can serve as reminders to you, too:

1. Play, Play, Play: Just pull out a piece of paper and see what paint does. Art is play when we let it be. Experiment and detach from outcome. This is your time to delight yourself, go ahead and make a mess, or discover something new. It doesn’t matter because it’s about the process.

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2. Be Bold: To paraphrase the famous quote, they say “well-behaved women never made history,” and the same is true of art. Don’t be afraid to stand out; it gives your viewer something yummy to experience, holding their gaze and supplying intrigue vs. ho-hum.

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3. Start Your Painting Loose: My mentor Bob Burridge used to say that behind every great painting is a really great abstract painting. The beginning of your painting is not the time to get into detail — it’s your playtime. There will be plenty of time for detail down the road. If you get too caught up in detail, too soon you become caught up in protecting the area and sacrifice the unity of the painting.

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4. Rule of Opposites: Think contrasts: Light needs dark. If you want to make something look lighter, put something dark next to it. If you want to make something look darker, put something light next to it. Soft edges need to be balanced with hard edges. Vary your line quality. Warm colors need cool colors; it keeps the eye moving around the composition and keeps the viewer entertained.

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5. Break up with Fear: This is probably the most important lesson of all.  Fear is the biggest killer of creativity. To paraphrase the author Elizabeth Gilbert: Tell it to go sit in the backseat; it’s not driving the bus. The minute you let it into the driver seat, your art becomes careful and calculated and that edge, that thing that makes you you, is stifled into trying to be like everybody else. So stay in the backseat, Fear: We are not listening to you today. Today, we will make our art, bravely and courageously.

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If you make art, these things are not new to you, but they are the things we need to constantly remind ourselves. So go, dare, play, create, and make whatever it is that floats your boat. In the age of technology, art is something that still needs a human, and each creation is different and unique — that’s the beauty.

As always, I love hearing from you in the comments. Is this information helpful? Do you want to learn more about the process? Your feedback is the most important part of the conversation. Thanks for reading, and cheers!

Florence, Day 16: Can I Get Any Sympathy? Anyone?

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But really, I’m not seeking sympathy at all. The truth is, none is needed. Though I’m full to the brim with information and tired in the bones, I am as happy as a clam here.

Today was my first day with my new teacher, Francesca, and she could not be more lovely. I’m so happy and filled with all the things I love, it’s as if I’m levitating. Still, it’s only 6:20 p.m. as I type this, and, without question, I’m in for the night. One has to pace all this wonderful with plenty of rest and a good book. (Currently reading the second book in the “Outlander” series and loving it!)

Francesca is more relaxed than some in Florence about all of the art “rules.” She is, after all, a painter. Also, she is Florentine and her work is beautiful like a photo. But she does not want to make me her, she says; you have to honor you, do what you like, in the way you like. So here I am, coming up against myself. Art and the making of great art is, after all, like life: Get out of your own way and let it happen. It’s about letting go of fear and trusting the process.

If I am here to learn — and I am — I must try new things. But (said using my hands like any good Italian), I long for my comfort zone. It’s like running with good shoes and shorts and a tank top on a hot summer day versus running with weights on your wrists and ankles in heavy sweats. One is more comfortable; the other might train you better. So here I am with the weights on and sweats, um, sweating it out so to speak.

I like Francesca and she has ideas to challenge me more, so I anticipate more sweat. Stay tuned “As the World Turns” or, OK, I really don’t have anything that dramatic, just some personal growth here. That is, after all, what I came for!