The Nude in Art

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linedrawing

A 10-minute line drawing from a few weeks ago

I went back to school at 27, starting in photography and soon finding my place further down the hall, where the art of painting was happening.

It became clear early on — and without much thought by me — that when you study art, you have to learn to draw the undraped body. So I signed up and pretty quickly understood every challenge an artist faces is dealt with in life drawing, also called drawing the undraped model.

rembrandtcopy

A copy of a Rembrandt I did in college

The “undraped” part is important because cloth allows you to lie, to not paint an area you are struggling with. With no draping, you cannot lie. If your measurements are off, perspective is skewed;  if the light’s not right, it’s all very obvious, and this forces you to be better. So I never gave another thought to it. This is what artists do, and it’s helpful. Wow, is it ever helpful.

michelangelocopy

Another college throwback: this one, a copy of a Michelangelo

As a student of history, the nude in art has always been present, but in studying art history, you quickly learn each time period had its own feelings and unspoken rules about how exactly this subject should be handled. For example, it has almost always been that your model could not be looking directly at you — that’s too forward, the eyes must be averted. What?

Since my education as an artist started, conversations around the nude in art have been uncomfortable for me. I want the conversation to go away because it’s a genre that is critical to the education of a artist. But it doesn’t go away. And so I will continue to talk about it.

summerstudy

A study done last summer

Soon, I will be going back to Italy to study, primarily to paint and draw the undraped model. Why? Because every time I do it, I am reminded how it makes me a better artist. And as an artist, I hope never to arrive, but to always be in a state of learning and growing, to be better than I was the week before. And so, I continue my commitment to working from models, undraped. I hope you will come along with me for this learning experience. As I learn, I teach, and I hope you’ll join me on this adventure starting April 15.

For me, this subject of the nude in art is not about arguing the point; it’s about the experience of learning art. It’s just very matter of fact. Of course, it can be argued that you can learn art without this genre, and that is true, but if you’ve studied from life, you probably won’t find yourself arguing against the practice. You will most likely “get it” (though there are exception to every rule).

So what about you? What are your thoughts and feelings about the nude in art? As always, I love your thoughts and feedback. The best conversations can be found on Facebook and Instagram where you I can be found most everyday.

About Stephanie Schlatter Art

Stephanie Schlatter is an Artist who draws from the world for inspiration. While she calls Grand Rapids, Michigan, home she’s often off on new adventures. For more than a decade, her journeys have taken her across the globe. She has studied art both locally and abroad, including time in Mexico, where she decided to shift her focus from photography to painting. Stephanie's travels led her to found Absolutely Art: A Project for Change in 2006. Through this non-profit organization, she brings art instruction to the children of Ethiopia while supporting their education. Stephanie's work reflects an expression influenced by other cultures which resonates a variety of influences that have given her work direction.

One response »

  1. Pingback: Rembrandt exhibition on film | Dear Kitty. Some blog

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