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Florence, Day 12: David Really is All He’s Cracked Up to Be (And Other Tales from the Accademia)

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It is a curse at times to understand English while in a foreign country. I know, I know, it’s a blessing, BUT … in Florence, at times, you hear things that make you want to interrupt and give your opinion. No, my mom always said, only if you’re asked — and not always even then.

The other day before class, I went to the Piazza della Signoria, to the Loggia dei Lanzi (the sculpture gallery), to sketch. It’s kinda like a town square, and VERY crowded. Much English is spoken. A few runaways from a tour group sporting their white tennies (a dead giveaway of their status as Americans, not that anyone’s hiding it) sitting next me is discussing where they will go on their tour.

“Will you go see the David tomorrow?”

The woman replies with total authority: “No, he’s right here in front of me; it’s the same thing.” As if to stress her point she adds, “It’s the exact same thing!”

Meanwhile, nearby, me: NO, NO IT IS NOT! (Yes, I know I’m shouting, but the situation calls for it.)

Michelangelo’s David was originally situated on this Plazza, it is true. Commissioned for the famed Church of Santa Maria del Fiore, the Florentines so loved this work they sat it right in front of their town hall, the Piazzo Vecchio. Today, the work that remains there (by the opinion of the Florentine people) is a bad copy.

Indeed, I can state, “Ain’t nothing like the real thing, baby.” and to assume you have checked him of your list because you saw this replica is missing the entire point of Florence — in fact, the whole point of the Renaissance itself.

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From the Biblical story of David and Goliath, Michelangelo’s version is said to have collided with Hercules. Like David, the Florentine people had conquered neighboring cities — the victorious underdog, now the capital of Tuscany. The Florentine people could relate to this strong, determined David.

In every way, the Renaissance is about humanism. Man as a reflection of God, created in his image, to be honored as a creation of God and each individual with his/her own feelings and emotions to be honored. In this way, David is a supreme example of humanism and, therefore, the Renaissance.

Still, I did not share this with the American tourists, knowing they would go home with a grand experience of Italy and never second guess their decision. Still, from me to you: Go and see him. He does not disappoint.

Today, after a morning spent blissfully painting. I meet Benedetta for our class and the Accademia was our classroom. I think sweet Benedetta sensed my exhaustion after the long visit at the Accademia. It’s all so much. Indeed, all wonderful, all my passion, all I want to learn, but my head is like boiling water by this point, spilling over the pot. It’s just so much grand, glorious information.

So she asked, “You want to be more outside?” Um, yes, yes, I think I need more sunlight and less of the inside of a building, no matter how much light radiates from those glorious works of art.

So she took me across the city and up, up, to the precious little church of San Miniato above the Piazza Michelangelo. I discovered it my first morning here on a half run, half exploration of the city.

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Benedetta confides she’d like to be married here (no doubt she’ll make a stunning bride when it happens), and as if on cue, a wedding was in fact happening as we arrived. On a Thursday? “Yes,” she says with a shrug, “it’s September.”

The church shines like a jewel above the city, a precious little jewel right from the 11th Century, with a facade from the 12th Century, a glittering gold mosaic from the 13th Century, a nave and tabernacle inside that’s a tribute to all things Renaissance. It was a true treat, and the wedding was, well, icing on the cake. (I warned Benedetta that if she gets her wedding in this prized location to think of me as tourist, quietly mingling about during the ceremony.) And the view from here — sigh, just spectacular. A good call by those men who built this when nothing else was there.

A quick view over this exquisite city from the Piazza Michelangelo and we parted ways: me off to my favorite food spot, the Pizzicheria Antonio Porrati, for an after school snack and reflection on the day. But it’s really early evening, and so it becomes dinner. Afterward, I retire to my apartment to put my feet up and relax. All this learning is hard work!

May the sun always shine on the curious, and night fall heavy for that much-needed rest.

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Florence, Day 9: Art History and Its Reflections on Humanity

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On the edge of my seat, hanging on every word rolling off the tongue of my art history  professor, which sounded like a song then and still is music in my ears. That was me, back in college. Who knew this world of art and history was so rich with humanism. To think it is only about the art is to close your eyes to truth. Art history is simply the most beautiful representation of people and how they responded to a time.

We Americans, as an Italian friend of mine recently reminded me, are so wonderfully optimistic. We believe anything is possible and that we as humans are capable of anything. But we are young, our history short, and we do not walk in the footsteps of our history to remind us, to steer us and guide us. It is both our greatest strength and our greatest detriment, for history is a great, great teacher.

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The Renaissance was a response to to many years in darkness. In Medieval times, man meant nothing and achieved little; it is also called the Dark Ages. Only serving God as the church dictated mattered.

The Renaissance was man saying, “Yes, but if God created us in his image, then we do matter. He has blessed us with gifts and talents and we must use them. We have to be the best we can be.”

Let man shine on. The art of this time reflected this attitude and encouraged it. The art honored Gods creation: man. The art influenced the common people to shine. It was a sort of permission slip.

History has a natural pendulum swing. Art reflects how a given people respond to that. And if I may say so, art is such a beautiful way to be taught.

Today started at the Brancacci chapel, where some say Masaccio created the first real Renaissance painting, making the change from Medieval art, where the work was flat, without perspective, and it’s only purpose to glorify God and teach the illiterate masses Bible stories. These paintings honor god’s creation: man and Earth.

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The Renaissance is about humanism, and these humans have expressions on their faces, there is perspective and form, and the lines show more than a outline but a real life scene. Bring on living life out loud and in full color.

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The day went on, and I explored with my teacher Santa Croce, my favorite church in Florence with Giotto (the man who started thinking Renaissance thoughts 100 years ahead of time), the tombs of Dante and Michelangelo and 274 others. The frescos are late Medieval and show the hints of what is to come in the Renaissance. The cloisters are delightful. I could hang out here all day, but my stomach is telling me it’s time for edible art.

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The rest of the day I wandered, reflecting on what we learn from those who go before us. Me, my sketchbook and the city where the front page of the newspaper usually features something about art. Sigh — I have found kindred spirits.

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Live for your passions, allow for beauty and look back only to learn as you move forward, believing you can, in fact, do anything!

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