Tag Archives: learning

Florence, Day 12: David Really is All He’s Cracked Up to Be (And Other Tales from the Accademia)

Standard

florenceday12-2

It is a curse at times to understand English while in a foreign country. I know, I know, it’s a blessing, BUT … in Florence, at times, you hear things that make you want to interrupt and give your opinion. No, my mom always said, only if you’re asked — and not always even then.

The other day before class, I went to the Piazza della Signoria, to the Loggia dei Lanzi (the sculpture gallery), to sketch. It’s kinda like a town square, and VERY crowded. Much English is spoken. A few runaways from a tour group sporting their white tennies (a dead giveaway of their status as Americans, not that anyone’s hiding it) sitting next me is discussing where they will go on their tour.

“Will you go see the David tomorrow?”

The woman replies with total authority: “No, he’s right here in front of me; it’s the same thing.” As if to stress her point she adds, “It’s the exact same thing!”

Meanwhile, nearby, me: NO, NO IT IS NOT! (Yes, I know I’m shouting, but the situation calls for it.)

Michelangelo’s David was originally situated on this Plazza, it is true. Commissioned for the famed Church of Santa Maria del Fiore, the Florentines so loved this work they sat it right in front of their town hall, the Piazzo Vecchio. Today, the work that remains there (by the opinion of the Florentine people) is a bad copy.

Indeed, I can state, “Ain’t nothing like the real thing, baby.” and to assume you have checked him of your list because you saw this replica is missing the entire point of Florence — in fact, the whole point of the Renaissance itself.

This slideshow requires JavaScript.

From the Biblical story of David and Goliath, Michelangelo’s version is said to have collided with Hercules. Like David, the Florentine people had conquered neighboring cities — the victorious underdog, now the capital of Tuscany. The Florentine people could relate to this strong, determined David.

In every way, the Renaissance is about humanism. Man as a reflection of God, created in his image, to be honored as a creation of God and each individual with his/her own feelings and emotions to be honored. In this way, David is a supreme example of humanism and, therefore, the Renaissance.

Still, I did not share this with the American tourists, knowing they would go home with a grand experience of Italy and never second guess their decision. Still, from me to you: Go and see him. He does not disappoint.

Today, after a morning spent blissfully painting. I meet Benedetta for our class and the Accademia was our classroom. I think sweet Benedetta sensed my exhaustion after the long visit at the Accademia. It’s all so much. Indeed, all wonderful, all my passion, all I want to learn, but my head is like boiling water by this point, spilling over the pot. It’s just so much grand, glorious information.

So she asked, “You want to be more outside?” Um, yes, yes, I think I need more sunlight and less of the inside of a building, no matter how much light radiates from those glorious works of art.

So she took me across the city and up, up, to the precious little church of San Miniato above the Piazza Michelangelo. I discovered it my first morning here on a half run, half exploration of the city.

This slideshow requires JavaScript.

Benedetta confides she’d like to be married here (no doubt she’ll make a stunning bride when it happens), and as if on cue, a wedding was in fact happening as we arrived. On a Thursday? “Yes,” she says with a shrug, “it’s September.”

The church shines like a jewel above the city, a precious little jewel right from the 11th Century, with a facade from the 12th Century, a glittering gold mosaic from the 13th Century, a nave and tabernacle inside that’s a tribute to all things Renaissance. It was a true treat, and the wedding was, well, icing on the cake. (I warned Benedetta that if she gets her wedding in this prized location to think of me as tourist, quietly mingling about during the ceremony.) And the view from here — sigh, just spectacular. A good call by those men who built this when nothing else was there.

A quick view over this exquisite city from the Piazza Michelangelo and we parted ways: me off to my favorite food spot, the Pizzicheria Antonio Porrati, for an after school snack and reflection on the day. But it’s really early evening, and so it becomes dinner. Afterward, I retire to my apartment to put my feet up and relax. All this learning is hard work!

May the sun always shine on the curious, and night fall heavy for that much-needed rest.

florenceday12-8

Florence, Day 11: Dodging Pedestals in the Face of Greatness

Standard
florenceday11-4

Looking how I was feeling after my class in the Uffuzi Gallery Michelangelo room.

How does a modern day Florentine find his or her own identity in the shadows of so many geniuses? I asked my teacher Benedetta. “Yes, it is hard,” she replied. “I have heard of artists who come here to Florence and never work again, completely crippled by the grandeur of all those masters.”

Today, my teacher, very sweet and humble, said, “Today you will discover my secret. My father is the director of the Uffizi.” She introduced me (swoon) to a handsome man in his early 60s without a trace of pretense. He proudly showed me photos of his three beautiful daughters and wife and I’m thinking, “Um, yes, nice, but can we talk about those stacks of books on your desk? Tell me about your work? What does the director of the Uffuzi do? Can I see the ‘Birth of Venus’ without the glass? Touch it? Let’s get a photo.” But no, I had respect. I simply shook his hand and said, “So nice to meet you,” then did my best not to flood sweet Benedetta with questions about his work.

florenceday11-6

I had to sneak this photo of the director’s office. Look at all of these books! My nightstand at home looks like a mini version of his desk. (Swoon)

The Vasari corridor as seen from the Uffizi.

The Vasari corridor as seen from the Uffizi.

Soon, that was not hard, as she is a brilliant and interesting art historian in her own right; her father must be proud. She walked me through Florence in the form of paintings from the 14th to the 17th centuries. I watched the works unfold before the Renaissance, with the strong gold leaf backgrounds and flat figures, to the time when slowly the details emerged. The bodies became 3D, the faces gained expression, the backgrounds became landscapes and the Renaissance exploded in all its full-blown glory.

We walked right through Leonardo, Michelangelo and Raphael’s High Renaissance until we ended with Caravaggio and the Baroque period, with its exaggerated expression and extreme lights and darks.

 

Turns out I'm not the only one completely enchanted by Botticelli.

Turns out I’m not the only one completely enchanted by Botticelli.

florenceday11-1

Caravaggio’s “Bacchus”: Gotta love a country that honors the God of Wine. I’ve always loved this painting.

I learned about many of the things that influenced these movements. For example, Michelangelo was in Rome when they uncovered many statues from the Hellenistic period. He was deeply influenced by the extreme gesture and emotion of these works. His own work becoming more filled with expression at this time.

Benedetta and I took a small break on the lovely rooftop cafe with a view of the Duomo as we were finishing up. The legs tire and the mind can hardly comprehend. It’s all almost too much, too much beauty all in one place, too much excitement. One needs to pause to take it in, but then you’re staring at the Duomo, and again you must catch your breath.

This is what I mean when I say you must somehow find your place and keep these geniuses of art off their well-deserved pedestals. You can get psyched out. It might be easy to feel very small, but you must find your own place in the folds of history — maybe not as a famous person but as one of value, as we all are.

I think it must be a certain kind of pressure for Florentine artists, and indeed Benedetta pointed out that in Mannerism, which followed the Renaissance, there was this anxiety for artists to try to paint after this huge and brilliant time where art absolutely blossomed and flourished under the skill of so many huge talents.

I guess you just do as the famous Contemporary artist Chuck Close says: “Show up and get to work.” Yes, I think I will just continue to show up and see what else this city will reveal to me!

florenceday11-2

And let us not forget the culinary arts!