Tag Archives: outdoors

Florence, Day 12: David Really is All He’s Cracked Up to Be (And Other Tales from the Accademia)

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It is a curse at times to understand English while in a foreign country. I know, I know, it’s a blessing, BUT … in Florence, at times, you hear things that make you want to interrupt and give your opinion. No, my mom always said, only if you’re asked — and not always even then.

The other day before class, I went to the Piazza della Signoria, to the Loggia dei Lanzi (the sculpture gallery), to sketch. It’s kinda like a town square, and VERY crowded. Much English is spoken. A few runaways from a tour group sporting their white tennies (a dead giveaway of their status as Americans, not that anyone’s hiding it) sitting next me is discussing where they will go on their tour.

“Will you go see the David tomorrow?”

The woman replies with total authority: “No, he’s right here in front of me; it’s the same thing.” As if to stress her point she adds, “It’s the exact same thing!”

Meanwhile, nearby, me: NO, NO IT IS NOT! (Yes, I know I’m shouting, but the situation calls for it.)

Michelangelo’s David was originally situated on this Plazza, it is true. Commissioned for the famed Church of Santa Maria del Fiore, the Florentines so loved this work they sat it right in front of their town hall, the Piazzo Vecchio. Today, the work that remains there (by the opinion of the Florentine people) is a bad copy.

Indeed, I can state, “Ain’t nothing like the real thing, baby.” and to assume you have checked him of your list because you saw this replica is missing the entire point of Florence — in fact, the whole point of the Renaissance itself.

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From the Biblical story of David and Goliath, Michelangelo’s version is said to have collided with Hercules. Like David, the Florentine people had conquered neighboring cities — the victorious underdog, now the capital of Tuscany. The Florentine people could relate to this strong, determined David.

In every way, the Renaissance is about humanism. Man as a reflection of God, created in his image, to be honored as a creation of God and each individual with his/her own feelings and emotions to be honored. In this way, David is a supreme example of humanism and, therefore, the Renaissance.

Still, I did not share this with the American tourists, knowing they would go home with a grand experience of Italy and never second guess their decision. Still, from me to you: Go and see him. He does not disappoint.

Today, after a morning spent blissfully painting. I meet Benedetta for our class and the Accademia was our classroom. I think sweet Benedetta sensed my exhaustion after the long visit at the Accademia. It’s all so much. Indeed, all wonderful, all my passion, all I want to learn, but my head is like boiling water by this point, spilling over the pot. It’s just so much grand, glorious information.

So she asked, “You want to be more outside?” Um, yes, yes, I think I need more sunlight and less of the inside of a building, no matter how much light radiates from those glorious works of art.

So she took me across the city and up, up, to the precious little church of San Miniato above the Piazza Michelangelo. I discovered it my first morning here on a half run, half exploration of the city.

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Benedetta confides she’d like to be married here (no doubt she’ll make a stunning bride when it happens), and as if on cue, a wedding was in fact happening as we arrived. On a Thursday? “Yes,” she says with a shrug, “it’s September.”

The church shines like a jewel above the city, a precious little jewel right from the 11th Century, with a facade from the 12th Century, a glittering gold mosaic from the 13th Century, a nave and tabernacle inside that’s a tribute to all things Renaissance. It was a true treat, and the wedding was, well, icing on the cake. (I warned Benedetta that if she gets her wedding in this prized location to think of me as tourist, quietly mingling about during the ceremony.) And the view from here — sigh, just spectacular. A good call by those men who built this when nothing else was there.

A quick view over this exquisite city from the Piazza Michelangelo and we parted ways: me off to my favorite food spot, the Pizzicheria Antonio Porrati, for an after school snack and reflection on the day. But it’s really early evening, and so it becomes dinner. Afterward, I retire to my apartment to put my feet up and relax. All this learning is hard work!

May the sun always shine on the curious, and night fall heavy for that much-needed rest.

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Brightening the Building at Chateau de Leelanau

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Follow me as I transform the southern wall of Chateau de Leelanau’s tasting room in Suttons Bay, on Northern Michigan’s Leelanau Peninsula, from a bare expanse of brown to a colorful mural!

Day 1: Friday, May 16
Today this is my canvas: the south wall of Chateau de Leelanau in Suttons Bay. Let the party begin!
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I was falling over exhausted, but giddy with the joy of it all. It’s thrilling! You know that feeling when you hurt all over and can’t stand up anymore, but you’re elated because you love the work and can’t believe how lucky you are to live your dream job? Yeah, that’s it!
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Day 2: Saturday, May 17
I have to admit I was equal parts anxious and excited to rock out this mural. Knocking on wood, so far it’s been a dream. Today, I met several Stephanie Schlatter Art fans, and I’m thrilled you introduced yourselves! And the painting — well, it’s going great! I’m just so blessed to get to do what I love to do under this sun we all share with the extraordinary backdrop of Leelanau. Humbled, tired, blessed and oh so very filled with gratitude!

Pausing to taking a photo for the recipient of this print! (See photo at top of page.)

And the results at the end of the day…
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Day 3: Sunday, May 18
Joseph Campbell famously said, “The privilege of a lifetime is being who you are.” He also said, “Follow your bliss.” Today embodied both quotes for me, and I was completely jazzed about it! Did you get to honor yourself and your bliss this weekend?

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Day 4: Monday, May 19
So here’s the thing: creating  rocks. I have always been moved by the concept of there was nothing there, and then hands made something. It’s so completely satisfying. Is it good? Does it matter? It’s subjective, but I felt tremendously satisfied by the process of making, of letting creation flow through me. That moves me; I hope it moves you, too!

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