Tag Archives: travel

Florence, Day 12: David Really is All He’s Cracked Up to Be (And Other Tales from the Accademia)

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It is a curse at times to understand English while in a foreign country. I know, I know, it’s a blessing, BUT … in Florence, at times, you hear things that make you want to interrupt and give your opinion. No, my mom always said, only if you’re asked — and not always even then.

The other day before class, I went to the Piazza della Signoria, to the Loggia dei Lanzi (the sculpture gallery), to sketch. It’s kinda like a town square, and VERY crowded. Much English is spoken. A few runaways from a tour group sporting their white tennies (a dead giveaway of their status as Americans, not that anyone’s hiding it) sitting next me is discussing where they will go on their tour.

“Will you go see the David tomorrow?”

The woman replies with total authority: “No, he’s right here in front of me; it’s the same thing.” As if to stress her point she adds, “It’s the exact same thing!”

Meanwhile, nearby, me: NO, NO IT IS NOT! (Yes, I know I’m shouting, but the situation calls for it.)

Michelangelo’s David was originally situated on this Plazza, it is true. Commissioned for the famed Church of Santa Maria del Fiore, the Florentines so loved this work they sat it right in front of their town hall, the Piazzo Vecchio. Today, the work that remains there (by the opinion of the Florentine people) is a bad copy.

Indeed, I can state, “Ain’t nothing like the real thing, baby.” and to assume you have checked him of your list because you saw this replica is missing the entire point of Florence — in fact, the whole point of the Renaissance itself.

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From the Biblical story of David and Goliath, Michelangelo’s version is said to have collided with Hercules. Like David, the Florentine people had conquered neighboring cities — the victorious underdog, now the capital of Tuscany. The Florentine people could relate to this strong, determined David.

In every way, the Renaissance is about humanism. Man as a reflection of God, created in his image, to be honored as a creation of God and each individual with his/her own feelings and emotions to be honored. In this way, David is a supreme example of humanism and, therefore, the Renaissance.

Still, I did not share this with the American tourists, knowing they would go home with a grand experience of Italy and never second guess their decision. Still, from me to you: Go and see him. He does not disappoint.

Today, after a morning spent blissfully painting. I meet Benedetta for our class and the Accademia was our classroom. I think sweet Benedetta sensed my exhaustion after the long visit at the Accademia. It’s all so much. Indeed, all wonderful, all my passion, all I want to learn, but my head is like boiling water by this point, spilling over the pot. It’s just so much grand, glorious information.

So she asked, “You want to be more outside?” Um, yes, yes, I think I need more sunlight and less of the inside of a building, no matter how much light radiates from those glorious works of art.

So she took me across the city and up, up, to the precious little church of San Miniato above the Piazza Michelangelo. I discovered it my first morning here on a half run, half exploration of the city.

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Benedetta confides she’d like to be married here (no doubt she’ll make a stunning bride when it happens), and as if on cue, a wedding was in fact happening as we arrived. On a Thursday? “Yes,” she says with a shrug, “it’s September.”

The church shines like a jewel above the city, a precious little jewel right from the 11th Century, with a facade from the 12th Century, a glittering gold mosaic from the 13th Century, a nave and tabernacle inside that’s a tribute to all things Renaissance. It was a true treat, and the wedding was, well, icing on the cake. (I warned Benedetta that if she gets her wedding in this prized location to think of me as tourist, quietly mingling about during the ceremony.) And the view from here — sigh, just spectacular. A good call by those men who built this when nothing else was there.

A quick view over this exquisite city from the Piazza Michelangelo and we parted ways: me off to my favorite food spot, the Pizzicheria Antonio Porrati, for an after school snack and reflection on the day. But it’s really early evening, and so it becomes dinner. Afterward, I retire to my apartment to put my feet up and relax. All this learning is hard work!

May the sun always shine on the curious, and night fall heavy for that much-needed rest.

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Florence, Day 8: A Journey Within: Sometimes You Do Need to Run Away

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The urge to paint has been strong. Yes, I’m here to study art, and I have been, but I’ve been playing with my pencil, experimenting with some oil sticks and watercolor. But my acrylics lay waiting. And that is my medium of choice.

I woke up sore, a good sore, the kind that comes from going and going, walking, then walking some more. So, I had to decide: a day trip to Siena or paint. Siena sounded oh-so-lovely, but my sore feet were less enthusiastic. Knowing I have three more weeks gave me the boost to stay in, set up a “studio” and paint.

I’m not sure why, but whenever I’m studying my craft, I don’t do my best work. I think it’s partially an identity crisis. What I mean by this is, you’re learning new things that make you approach your work differently. I think it’s partly just getting used to those new things.

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There is also the being away part. Out of my studio, my habits, my regular systems. Sure, everywhere you go, there you are, and all that, but still: Changing your surroundings shakes things up, makes you look at things differently. It’s all good, but also adds to the out-of-my-element feeling with my work.

All I know for sure is I only left the house today for provisions, and yet I went on a journey: one within. The kind that often shows up when you’re away and your senses are assaulted in that beautiful way that new surroundings provide.

I need to believe my own words to my students when I teach. Things like, “You won’t do your best work; don’t expect to. It’s about the process. Be in the moment with your work and detach from the outcome.” Reminding myself, as I do my students: “Get out of your own way and let the art happen.”

I’m not sure how well I did at this, I only know I committed to the process, honored my time with my craft and finished happy in my soul. That, after all, is the most important bit: the commitment to the work and the process.

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